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ACT III. Scene IV. 


A Room in Leonato's house.

Enter Hero, and Margaret and Ursula.

 HERO.

Good Ursula, wake my cousin Beatrice and desire her to rise.

 URS.

I will, lady.

 HERO.

And bid her come hither.

 URS.

Well

[Exit.]

 MARG.

Troth, I think your other rebato were better.

 HERO.

No, pray thee, good Meg, I'll wear this.

 MARG.

By my troth, 's not so good, and I warrant your cousin will
say so.

 HERO.

My cousin's a fool, and thou art another. I'll wear none but
this.

 MARG.

I like the new tire within excellently, if the hair were a
thought browner; and your gown's a most rare fashion, i' faith.
I saw the Duchess of Milan's gown that they praise so.

 HERO.

O, that exceeds, they say.

 MARG.

By my troth, 's but a nightgown in respect of yours--
cloth-o'-gold and cuts, and lac'd with silver, set with pearls
down sleeves, side-sleeves, and skirts, round underborne with
a blush tinsel. But for a fine, quaint, graceful, and
excellent fashion, yours is worth ten on't.

 HERO.

God give me joy to wear it! for my heart is exceeding heavy.

 MARG.

'Twill be heavier soon by the weight of a man.

 HERO.

Fie upon thee! art not ashamed?

 MARG.

Of what, lady? of speaking honourably? Is not marriage
honourable in a beggar? Is not your lord honourable without
marriage? I think you would have me say, 'saving your reverence,
a husband.' An bad thinking do not wrest true speaking, I'll
offend nobody. Is there any harm in 'the heavier for a husband'?
None, I think, an it be the right husband and the right wife.
Otherwise 'tis light, and not heavy. Ask my Lady Beatrice else.
Here she comes.

Enter Beatrice.

 HERO.

Good morrow, coz.

 BEAT.

Good morrow, sweet Hero.

 HERO.

Why, how now? Do you speak in the sick tune?

 BEAT.

I am out of all other tune, methinks.

 MARG.

Clap's into 'Light o' love.' That goes without a burden. Do
you sing it, and I'll dance it.

 BEAT.

Yea, 'Light o' love' with your heels! then, if your husband
have stables enough, you'll see he shall lack no barnes.

 MARG.

O illegitimate construction! I scorn that with my heels.

 BEAT.

'Tis almost five o'clock, cousin; 'tis time you were ready.
By my troth, I am exceeding ill. Hey-ho!

 MARG.

For a hawk, a horse, or a husband?

 BEAT.

For the letter that begins them all, H.

 MARG.

Well, an you be not turn'd Turk, there's no more sailing by
the star.

 BEAT.

What means the fool, trow?

 MARG.

Nothing I; but God send every one their heart's desire!

 HERO.

These gloves the Count sent me, they are an excellent
perfume.

 BEAT.

I am stuff'd, cousin; I cannot smell.

 MARG.

A maid, and stuff'd! There's goodly catching of cold.

 BEAT.

O, God help me! God help me! How long have you profess'd
apprehension?

 MARG.

Ever since you left it. Doth not my wit become me rarely?

 BEAT.

It is not seen enough. You should wear it in your cap. By my
troth, I am sick.

 MARG.

Get you some of this distill'd carduus benedictus and lay it
to your heart. It is the only thing for a qualm.

 HERO.

There thou prick'st her with a thistle.

 BEAT.

Benedictus? why benedictus? You have some moral in this
'benedictus.'

 MARG.

Moral? No, by my troth, I have no moral meaning; I meant
plain holy thistle. You may think perchance that I think you are
in love. Nay, by'r lady, I am not such a fool to think what I
list; nor I list not to think what I can; nor indeed I cannot
think, if I would think my heart out of thinking, that you are in
love, or that you will be in love, or that you can be in love.
Yet Benedick was such another, and now is he become a man. He
swore he would never marry; and yet now in despite of his heart
he eats his meat without grudging; and how you may be converted I
know not, but methinks you look with your eyes as other women do.

 BEAT.

What pace is this that thy tongue keeps?

 MARG.

Not a false gallop.

Enter Ursula.

 URS.

Madam, withdraw. The Prince, the Count, Signior Benedick, Don
John, and all the gallants of the town are come to fetch you to
church.

 HERO.

Help to dress me, good coz, good Meg, good Ursula.

[Exeunt.]

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